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A raga is sometimes explained as melodic rule set that a musician works with, but according to dorottya fabian and others, this is now generally accepted among mu. Western music has scales (major, minor, etc.) while eastern music primarily has a large number of raagas derived from some basic thaats Both these groups represent sets of notes on which actual song Moreover, the raga may be associated with a certain time of day, a certain season, etc
(the “feeling” is really more important than any technical definition My father is a great lover and listener of (indian classical) music, but has no musical training. Javanese gamelan, at least, has two scales, though i don't know how they compare to raga or maqam as forms of improvisation. if i understand correctly, however, the scales aren't systematic in the way of maqam, raga, and european modes and scales, and each gamelan may be tuned uniquely. Students of carnatic classical music are taught mayamalavagowla (melakarta 15), aka the double harmonic major / gypsy major scale, as the default
A raga is more like a set of rules as to how you progress though the mode than a melody in its own right Certain notes are designated for emphasis or avoidance, and for being approached or left in a particular manner. Kudus to chirag pathak for his contribution of knowledge. Mayamalavagowla is the first raga taught to students who learn south indian carnatic music
But i wonder what is the western scale used to represent this raga Why did carnatic music system select. Interested to know how modern performers harmonize hindustani classical music Like, i heard a beautiful piano performance in raga shuddh sarang
Different ragas use different shrutis for different notes, but within a raga, there is internal consistency and a logic to which set of shrutis is used (fascinating but complex subject that is a different discussion altogether).
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